Aaron Yap

Aaron Yap finds that outside the cast’s charisma, there’s little to recommend.

Matthew Rhys (The Americans) makes for a terrific, top-to-bottom revision of Mason.

The Prime Video vaults hold some unexpected viewing treasures, as Aaron Yap discovers.

It’s an impressively assured debut feature for Kitty Green.

Detective Harry Bosch is back in the go-to comfort show bearing his name.

“Done with Contagion and need to expand your quarantine viewing?”

Noble but frustratingly uneven attempt to revitalise stale haunted house conventions.

One of the most uniquely deranged buddy movies to come out in quite some time.

Includes a film that runs for literally an entire day.

Having dug The Irishman, Aaron Yap ranks the best of a master filmmaker

Scorsese’s daggiest movie to date.

Should keep anyone with an appetite for bloodthirsty action satiated.

Off-kilter, visually striking, deliriously inspired in parts, and yes, stark-raving mad.

“Hopes, regrets and memories around mouth-wateringly packed lazy Susans.”

A much-needed gasp of air from tentpole franchises.

If you came for a doll saying profanities, this isn’t it.

The film is low-boil Soderbergh-lite.

This could have made for a rich, elegant, atmospheric horror flick.

“It’s impossible to watch all of this detached from the warped lens of how von Trier sees himself”

“A valuable inquiry into the curative power of canine company.”

There’s a lot more going on than in Get Out , notes Aaron Yap, impressed with its ambition.