Aaron Yap

Should keep anyone with an appetite for bloodthirsty action satiated.

Off-kilter, visually striking, deliriously inspired in parts, and yes, stark-raving mad.

“Hopes, regrets and memories around mouth-wateringly packed lazy Susans.”

A much-needed gasp of air from tentpole franchises.

If you came for a doll saying profanities, this isn’t it.

The film is low-boil Soderbergh-lite.

This could have made for a rich, elegant, atmospheric horror flick.

“It’s impossible to watch all of this detached from the warped lens of how von Trier sees himself”

“A valuable inquiry into the curative power of canine company.”

There’s a lot more going on than in Get Out , notes Aaron Yap, impressed with its ambition.

Includes responses from critics, historians, auctioneers, and artists.

Every bit as quietly rapturous as his breakthrough 2016 Oscar champ Moonlight.

An 88min how-to in making something as exciting as Taking of Pelham 123.

Warning: this one will hurt.

It almost smacks of fantasy, Aaron Yap writes.

May heat up your déjà vu meter, writes Aaron Yap.

There’s also a sense of a little-too-late hanging over everything.

Get out your to-watch list.

Guide dog training doco packs ample heart, drama, and insight into a concise package.

Don’t go in hoping for grander gestures or deeper characterisation.

Luca Guadagnino has made a sharply disquieting slab of occult art-horror.