Aaron Yap

“First Cow is almost unusually blissed-out. I’d be content staying in this world for another hour.”

Light on shaky-cam, this is a welcomely mellowed-out Paul Greengrass.

The film’s portrait of the immigrant experience is authentic and genuinely resonant.

20 intriguing films, most of which are too rare/odd to find on your local streaming service.

Bill was a sharp human antenna of what deserved the attention of New Zealand audiences.

Watching one dude calmly taking on a horde of thugs hasn’t lost its novelty

Everything you need to have a horror-filled Halloween weekend.

Season two of Warrior returns to Neon in enthralling fashion.

Pattinson’s joined by Tom Holland, Jason Clarke, Riley Keogh and others.

It’s exactly what you’d imagine a Mouse House wu xia pic might be.

“There’s some value to be found in the foul, exploitative veneer of its chaos.”

Aaron Yap finds that outside the cast’s charisma, there’s little to recommend.

Matthew Rhys (The Americans) makes for a terrific, top-to-bottom revision of Mason.

The Prime Video vaults hold some unexpected viewing treasures, as Aaron Yap discovers.

It’s an impressively assured debut feature for Kitty Green.

Detective Harry Bosch is back in the go-to comfort show bearing his name.

“Done with Contagion and need to expand your quarantine viewing?”

Noble but frustratingly uneven attempt to revitalise stale haunted house conventions.

One of the most uniquely deranged buddy movies to come out in quite some time.

Includes a film that runs for literally an entire day.

Having dug The Irishman, Aaron Yap ranks the best of a master filmmaker