Amanda Jane Robinson

“Violent outbursts punctuate the film in often unexpected, shocking moments…”

A collection of films by Palestinian women is available to stream for free.

The acclaimed Hollywood history podcast’s new season revolves around rival gossip columnists.

Director Chloé Zhao’s award-winning craft here is unparalleled.

The attraction between the women in this romantic drama never quite sells.

Moretz also lets us in on one of her favourite action heroes.

Vanessa Kirby is outstanding in this new-to-Netflix drama.

Behind the shocking headlines lies manipulation, shame and remorse.

Expertly crafted and brutally alive, it’s the best new show in a long time.

Complex portrait of a complex luminary is more speculation than biography.

Davidson brings an authenticity not often seen in Judd Apatow’s leading men.

Its highlights lie in great performances and a soundtrack that’s one of the best in years.

It’s fun, though it does quite match the brilliance of Clueless.

A sweet tale of determination, tenderness and compassion.

In cinemas now and Netflix soon, it’s tense and bitter in places, funny and tender in others.

“I’m still confused about who exactly it was supposed to support.”

Jennifer Lopez steals the show in this 5-star strip club crime pic.

Despite the complexities of its titular character, Joker is frustratingly juvenile.

Its portrayal of working class struggle is resonant.

Andrew Bujalski’s latest follows the staff of boob-oriented bar/restaurant Double Whammies

Amanda Jane Robinson on the NZIFF films directed by women.